To appreciate the role of aesthetics in politics, we might look to the recent resurgence of popular anti-corruption movements in India. In 2011 and 2012, mass protests by supporters of the India Against Corruption (IAC) movement focused around spectacular fasts by the social activist Anna Hazare. Hazare’s projection of moral authority draws upon a well-established Indian idiom of non-party “saintly politics” (Morris-Jones 1963). The ascetic aesthetic of this approach, in Hazare’s case, is projected through the adoption of simple, hand-woven khadi cotton clothes and practices of abstinence (Pinney 2014; Webb 2014). More recently, a new political formation, the Aam Aadmi Party (AAP), or the Common Man Party, headed by Hazare’s erstwhile IAC colleague Arvind Kejriwal has been promoting an ethical and anti-corruption alternative in electoral politics.
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