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Markus Balkenhol: Apologizing for slavery: notes on a Dutch surprise

On 1 July 2021, 148 years after slavery ended in the Dutch West Indian colonies, Femke Halsema, the Mayor of Amsterdam, said: ‘For the active involvement of the Amsterdam City Council in the commercial system of colonial slavery and the global trade in enslaved people I, on behalf of the College of Mayors and Aldermen, apologize.’ Halsema was followed by the College of Mayors and Aldermen of Rotterdam (10 November 2021), Mayor Sharon Dijksma (Utrecht, 23 February 2022), Mayor Van Zanen (The Hague, 20 November 2022), and last but not least, Prime Minister Mark Rutte (19 December 2022). It is expected that King Willem Alexander will offer his apologies for the involvement of his family, the Oranje-Nassaus, in the slave trade in the Atlantic and Asia on this year’s (2023) abolition day (Keti Koti). Why, many wondered, should we apologize for slavery? It is so long ago, we are not guilty of it.

Memory politics

Before I get to the ‘why’ question, perhaps let me start with the question: why now? For many, the series of apologies may have come as a surprise. All of a sudden and out of nowhere, they may have thought, we need to apologize for something that has happened long ago and that has never been an issue before. Why should we make a point of it now? Although slavery has never before received as much public attention as it does now, the commemoration of slavery in the Netherlands is not new. In fact, that commemoration has had its own dynamic, and has changed in terms of the political message it carries. Already in the 1950s, African Surinamese students in the Netherlands celebrated Keti Koti, Abolition Day on July 1. In 1963 there was even a public manifestation in Amsterdam. More than ten years before Surinamese independence (1975), students in particular mobilized the commemoration in a framework of Surinamese nation-building. ‘Fri moe de’ (free we must be), in that sense, was not only a reminder of abolition, but also a claim to end colonial rule.

Image 1: Detail of the National Slavery Memorial, Oosterpark Amsterdam, 2009. Photo by the author.

The commemorations continued after independence, but for the main part remained private. That began to change in 1993, when a group of African Surinamese organized a public commemoration of ‘the shared history of the Netherlands and its colonies’ on Surinameplein in Amsterdam. That commemoration was meticulously modeled after the national memorial day on Dam square on May 4, commemorating the fallen in the war. Mirroring the national Committee 4/5 May, the group called itself the Committee 30 June/1 July. Like the Dam ceremony, the Surinameplein event also includes two minutes of silence at 8pm, the singing of the Dutch, Surinamese and Antillean anthems, and a performance by a child. Now, slavery had come to carry a different political message: no longer a plea for independence, but a claim for citizenship. Whereas many Surinamese in the 1970s had come to the Netherlands with the idea of returning to an independent and flourishing nation, political events in the 1980s (a coup d’état, civil war, and economic downturn) shattered these dreams. The 1980s therefore saw a re-orientation towards the Netherlands, stemming from a realization that the Netherlands would have to be a home for the foreseeable future. As a consequence, slavery was now re-framed as a claim to citizenship – hence the emphasis on a ‘shared’ history. Ambalavaner Sivanandan’s dictum: ‘we are here because you were there’ gained popularity. Their manifesto of 2002 also included demands about pensions, education, residency, radio and TV broadcasting licences, and health insurance. These demands, although they had been made throughout the 1990s, reached ever larger audiences after the unveiling of the national slavery memorial in Oosterpark, Amsterdam. This ceremony is usually attended by high-ranking representatives of the state, including the mayor, ministers, the Prime Minister, and the King.

Recent commemorations are increasingly embraced by young people of African-Surinamese descent (and to a lesser extent people of African Antillean descent), born in the Netherlands and exposed to racism in education, the housing sector, or work. They articulate slavery as a historical responsibility of the Dutch state and society at large.

What is changing now, is that slavery is less and less presented as a ‘Surinamese’ or ‘Antillean’ thing, but as something that concerns Dutch society as such. More and more, white Dutch citizens come to the realization that commemorating slavery is not only about someone else’s pain (although clearly that is also important), but that it concerns Dutch society as a whole. Now, one might argue that there are many ways of taking responsibility for that past. Why apologies? Why that particular form?

Apologies

In fact, apologies are notoriously difficult, especially when they concern collectives. As Michel Rolph Trouillot (2000) argued, in order for apologies to work one must establish the identity, or the self-sameness of two fundamentally different entities: a collective in the present and a collective in the past. One must show that the collective perpetrating an act is actually the same as the one apologizing – an impossible task according to Trouillot. Indeed, it is easy to dismiss this, as for instance the populist politician Pim Fortuyn has done: those who suffer from traumas should visit the psychiatrist, instead of sitting at a negotiating table, he wrote in 2002. Apologies may even be the flipside of this kind of right wing populism. Take, for instance, Rita Verdonk, who upon launching her political movement ‘Proud of the Netherlands’ (Trots op Nederland) in 2007, exclaimed that the Netherlands had been a hospitable country for centuries, and that it is not in the Dutch nature to discriminate. Verdonk imagines a nation characterized by unwavering goodness, a kind of völkische idea of an essentialized people characteristic for populist ideology.

In legal terms apologies are less of an issue. The present Dutch government and city councils are the legal successors of historical governments. This is why many apologies have been made by sitting governments on behalf of their predecessors. Think, for instance of Willy Brandt’s famous ‘Warsaw genuflection’, a gesture of both commemoration and apology in the context of the 1943 uprising in the Wasaw Ghetto (which at the time only 41 per cent of West Germans approved of).

Abortive rituals?

Nevertheless, Trouillot argues that apologies should be seen as ‘abortive rituals’: ‘collective apologies are meant not to succeed – not because of the possible hypocrisy of some of the actors but because their very conditions of emergence deny the possibility of a transformation’ (Trouillot 2000, 185). I’m not sure I agree with Trouillot that apologies are necessarily ‘abortive’. I do recognize the danger of essentializing collectives, and indeed, the slavery debate in places like the Netherlands does generate presumably clear cut identities of blackness and whiteness, victim and perpetrator, oppressor and oppressed. Looked at ethnographically, the picture becomes much more complex. Relations between African Surinamese and Ghanaians, for example, can sometimes be as tense, if not more, as those between African Surinamese and white Dutch; African Surinamese in Suriname think and feel differently about slavery compared to African Surinamese in the Netherlands; political outlook can be more important than racial-ethnic identification as black or white, and so on.

However, as an anthropologist I do not want to dismiss the power of rituals so easily. Trouillot argued that collective apologies are rituals that have a demonstrative and a transformative dimension. The goal of a ritual in general is to transform a person or collective from one state to another. Rituals of collective apology, according to Trouillot, fail to achieve such a transformation because these rituals rely not on transformation but on durable identities. My sense is that Trouillot was too quick to dismiss apologies purely based on their structural premises. It remains interesting to ask how such rituals may work in practice.

Collective rituals, to speak with Benedict Anderson, are also a space to imagine oneself. Collectives, one might say, do not exist outside of, or prior to these rituals, but they emerge out of these rituals in the first place. This means that collective rituals also present opportunities to imagine a collective subject in a new way. This is precisely what has been happening around the issue of slavery in places like the Netherlands in the past two decades.

Image 2: Winti priestess Marian Markelo pouring libation to the ancestors at the National Slavery Memorial, 2010. Photo by the author

Two examples may show this. The first is from the year 2006. During the Algemene Beschouwingen, a parliamentary debate about the government’s plans for the coming period, then Prime Minister Jan Peter Balkenende, a Christian Democrat, said in reply to the critique by Femke Halsema, then a member of the oppositionof the GreenLeft: ‘I don’t know why you are being so negative and annoying about this. … Let’s be happy together! Let’s be optimistic! Let us say: Once more, The Netherlands can do it! This VOC-mentality, looking past borders, dynamism! Right?!’ By ‘VOC mentality’ he referred to what he perceived as the Dutch entrepreneurial spirit as embodied in the Verenigde Oost Indische Compagnie (United East India Company), a mindset that supposedly had made The Netherlands a great economic and political power in the world. Like Verdonk, he cherished Dutch colonialism.  

Although Mark Rutte, from a liberal party that has similarly been proud of Dutch imperial history, has long argued that you that you cannot hold people in the present responsible for what happened in the past, he now imagines the nation differently. In his apology speech, he said: ‘We, living in the here and now, can only recognize and condemn slavery in the clearest terms as a crime against humanity. … And we in the Netherlands must face our share in that past. … [The national archives are] the place for national examination of conscience.’ It was a rare moment of vision for this Prime Minister – a liberal to the bone – who has notoriously claimed that those who want vision should visit a doctor.

So, have these apologies been transformative? There are many who did not think so, especially because after years of rejection and hesitation, they came very suddenly, without consultation of societal partners, and deliberately on a date without any ritual significance in any of the countries involved. Nevertheless, many agree that it was a moment in which the Prime Minister showed unexpected statesmanship. In spite of considerable societal backlash, he chose to imagine the Netherlands differently, turning away from the classic nationalist narrative of a glorious imperial past to a certain humility, mindfulness, and care. It remains to be seen whether the cabinet will not just talk the talk, but also walk the walk, but it is possible that an important step has been made in the process of re-imagining the Netherlands.

Markus Balkenhol is a social anthropologist at the Meertens Institute, Amsterdam. He specializes on colonialism, race, citizenship, cultural heritage and religion. His 2021 book Tracing Slavery: The Politics of Atlantic Memory in the Netherlands is published by Berghahn Books.

References

Trouillot, Michel-Rolph. 2000. “Abortive Rituals: Historical Apologies in the Global Era.” Interventions 2 (2): 171–86.

Cite as: Balkenhol, Markus 2023 “Apologizing for slavery: notes on a Dutch surprise” Focaalblog 28 June. https://www.focaalblog.com/2023/06/28/markus-balkenhol-apologizing-for-slavery-notes-on-a-dutch-surprise/

Blog, Features, In Honour of David Graeber: Exploring the Fissures and Cracks, Lost People

Jonathan Parry: The Burdens of the Past: Comments on David Graeber’s ‘Lost People: Magic and the Legacy of Slavery in Madagascar’

Image 1: Book cover of Lost People

David Graeber’s Lost People: Magic and the Legacy of Slavery in Madagascar began life as his University of Chicago doctoral thesis. It was not for some years that it appeared in print. That was 2007, and by then he had already published a considerable amount of other work, including a couple of significant books. To my shame, I have to admit that I hadn’t read Lost People until Alpa signed me up to comment on it today and that I should never have accepted her invitation. I am neither a specialist on Madagascar, nor expert in the literature on slavery or on narrative and history. But it’s worse than that. Something I have always especially admired about David’s writing is its clarity; his ability to state propositions that seem blindingly obvious once he has set them out but were never obvious before. Several of Lost People’s reviewers comment on its literary qualities, so I guess it’s just me. For my part, however, I found it uncharacteristically heavy-going, its narrative labyrinthine and its detail overwhelming. I was often unsure that I was getting the point.

David himself describes its style as experimental, “a kind of cross between an ethnography and a long Russian novel.” The aspiration was to produce a ‘dialogic ethnography’ that would do away with the distance between author and informants created – as David sees it – by so much social science writing. As I’ll later explain, he here draws a sharp distinction between social scientists and historians, and he identifies himself squarely with the latter. His sympathies are with what he represents as old-style ethnography where the objective is to provide a window on a way of life rather than to deploy ethnography – as is currently usual – as a prop for some single theoretical argument. He wants his Malagasy interlocutors to emerge “as both actors in history, and as historians” (Graeber 2007, 379). 

Despite the difficulties of his text, it’s relatively easy to say what it’s centrally about and to summarise its main narrative. In case there are people present who haven’t read it, or whose memories need refreshing, that’s what I’ll do. It’s centrally about slavery, about its local history, and more especially about its post-abolition legacy. Above all, that is, it’s about the past in the present, about the ways in which history impinges on contemporary relations between people of free and of slave descent in a rural area in the western highlands of Madagascar, an hour or so drive from the capital, Antananarivo. Betafo (his fieldsite) is in Imerina, the old kingdom of the Merina people, who ruled most of the island in the nineteenth century, and of whom Maurice Bloch has written with such distinction. David’s main window on these relationships is through the narrative of an ordeal held in 1987, that provoked the ancestors, resulted in disaster for the principal protagonists, and ended by dividing the community even more deeply than formerly between people of slave descent and the “nobles” who had been their erstwhile masters. This narrative threads through the book with new interpretations, new perspectives on it, and new details piling up over 400 pages. 

Betafo, something like a parish, is made up of around fifteen scattered hamlets which in total have a floating population of 300-500. It’s locally notorious for witchcraft and sorcery, and for the hostility of relations between its inhabitants – a major reason for selecting it, David reports. In the 1980s, it experienced an epidemic of petty thefts. The village assembly decided to hold an ordeal to identify the culprit(s). The villagers were to drink water in which earth from the ancestors’ tombs had been dissolved. But since they were not all of the same ancestry – there were nobles and ex-slaves, who were in principle totally separate groups between whom marriage was theoretically impossible – the earth should come from two separate tombs. And even that was a political fudge because the ex-slaves weren’t in fact a single descent group, though that is how the procedure adopted for the ordeal represented them. Nor was this provocative mixing of earth the only dangerous blunder. It turns out that both elders who had instigated and organised the ordeal – one noble, one slave – had recently taken a wife from the other group. They were guilty of mixing bodily fluids and bloods as well. No wonder disaster followed. The rice had just been harvested and was still in the fields. A flash flood swept it away. Actually, it later transpired that it was only the crops of the two elders that were completely destroyed. This was 1987. David started his research three years later and witnessed the aftermath. What had been intended to reassert communal solidarity had provoked a definitive rift. Now ‘blacks’ (slave descendants) were avoiding ‘white’ (‘noble’) parts of Betafo and were exploiting their reputations for magical powers and knowledge of local taboos to harass and constrain Betafo nobles who had moved to the capital but were now threatening to return and to resume their lands.

In parenthesis, it should perhaps be said that by standards elsewhere, the levels of antagonism seem muted. Returnee nobles might be told that there was a taboo on taking water from a particular spring. They weren’t physically attacked or forcibly prevented from moving back home. Intermarriage was anathematized, but we nevertheless hear of quite a few instances. None had resulted in murder, nor even in serious boycott. Compare rural Bihar or Haryana where couples who have contracted such serious misalliances could never be sure of their safety. 

Even in eighteenth century Madagascar, slavery and slave-trading had a prominent role in many local economies. In the nineteenth, however, slavery took off spectacularly in Imerina after the British did a deal with the Merina king by which he agreed to halt the international trade of slaves for guns on the understanding that the British would supply him with guns anyway (and would not supply his rivals). That enabled the Merina state to dominate most of the island and to capture more and more slaves. They were deployed on public works and in agriculture in the Merina heartlands from where more and more Merina went as soldiers. Later in the century, perhaps as many as half Imerina’s population were slaves, according to Bloch. It was in any event an enormous proportion and that had a profound impact on Merina society and cultural representations.

The French annexed Madagascar in 1895. Slavery was abolished in 1897. From Betafo many nobles moved off to the capital to join the civil service, a few to Paris. Their former slaves became their sharecroppers and generally thrived. That was widely attributed to their manipulation of their magical powers. The downward mobility of many nobles was put down to the sins of slavery – even by nobles themselves. Nobles were increasingly deeply divided between a rich elite (who largely moved out) and the poor (who largely remained). David offers a vivid picture of just how opulent and aristocratic these rich nobles were in the early years of the colonial period with their twilit parties, music and dancing, and their colourful silk garments and golden diadems. Still at the time of his fieldwork, émigré nobles would descend on Betafo in numbers to collect a share of the harvest or to bury some kinsman in their ancestral tomb. When a corpse was flown in from Paris, the paths were jammed with cars and vans, and in their hundreds ‘everywhere around the tomb were knots of grave-looking men in three-piece suits with expensive watches, ladies in silk dresses, pearls, gold and silver jewellery.’ Within village society itself, however, the most fundamental division – regardless of class – remained that between andriana (nobles) and andevo (slaves). Though the topic of slavery was avoided, nobody could ever forget it, and slaves were still associated with pollution and ideas of contamination. 

Historic sepia photograph of a Black woman wearing white looking directly into the camera.
Image 2: Female slave mourning, 1886, source gallica.bnf.fr / BnF

Crucially, however the situation of many of these émigré nobles became seriously precarious after the 1972 revolution. Subsequent to it, the peasant sector was badly neglected. The government took vast loans for development which it could not service, resulting in insolvency, dependence on the IMF, structural adjustment, the slashing of state budgets, the withdrawal of welfare and services from the countryside, a catastrophic collapse in living standards and widespread pauperization. The state largely withdrew from places like Betafo, leaving them as “temporary autonomous zones.” At the same time, many metropolitan civil servants were badly impoverished and were tempted to move back to their ancestral villages to resume the land that their ex-slave sharecroppers had been cultivating. And that, of course, is the essential background to the tensions that resulted from the Betafo ordeal at the heart of Lost People. 

What that background significantly qualifies, as it seems to me, is David’s claim to represent his informants as both actors in history and as historians. Of course, they are the first in a limited sense, but as actors they are highly constrained and have little autonomy. By that I mean to suggest that the most important part of the story that explains why Betafo’s andriana and andevo are at each other’s throats takes place off-stage between the Malagasy state and the IMF in Antananarivo’s corridors of power. That is what really drives the story and that bit of it is pure Graeber. It has no part in his informants’ narratives, which are as it were epiphenomenal. They are a derivative discourse that is somehow beside the main point. As historians, they were severely limited by having no access to sources that would give them a proper handle on that crucial background. That’s a no doubt rather crude way of introducing a more general reservation about David’s preoccupation with narrative. Nobody could possibly doubt its importance for history and politics, but Lost People repeatedly seems to claim that that’s what history and politics are. I worry that that leaves an awful lot out. If history is “mainly about the circulation of stories,” what of all the ecological, epidemiological and demographic influences on our lives of which we are often unconscious. If political action “is action that is intended to be recorded or narrated or in some way represented to others afterwards,” what kind of action is all the effort that goes into ensuring that so many of the deeds and misdeeds of rulers are never recorded. Representations, discourses and narratives are unarguably important, but they should not in my view be allowed to occupy all the space in an anthropological analysis. 

In a podcast discussion of David’s Debt book chaired by Gillian Tett sometime after his death, one contributor acutely observed that if there is any one value that informed his work it is freedom. That made me wonder how Lost People fits in. Though it says little about freedom explicitly, the ethnography overwhelmingly suggests its absence. This is a society that seems entirely unable to escape its past. In David’s other writings, there is usually some possibility of escape from oppression that is provided by other ideological alternatives. Here the past seems almost inescapably tyrannical. The Merina are condemned to continually renew the legacy of guilt and resentment that stems from the history of slavery. And whether or not David intended us to put the two things together, his ethnography shows that the burden of the past goes well beyond that. The Merina ancestors play a significant role in the lives of their descendants, and in Bloch’s writings their influence seems mostly benign. In Lost People they come over as much more threatening. They are always telling the living what they cannot do and they regularly attack them. That provokes the resentment and hostility of the living, which are dramatically expressed in the secondary burial when the ancestral remains are assaulted, their bones crunched up, their dust bound tightly in wrappings, and they are securely locked up in their tombs once more. History, it seems, is some kind of prison against the walls of which the living can only bang their heads. Marx had already summed it brilliantly: “The tradition of all the dead generations weighs like a nightmare on the brains of the living.”

All that prompts a series of comparative questions that I think are important, but which David passes by – largely I suspect because they fall outside the narrative frame of his informants. Crucially, why – well after a century since manumission – are the Merina still so obsessed by slavery? Partly no doubt on account of its scale and its cruelty, but there must be more to it. Recent contributions to the regional literature have drawn attention to wide variations between Malagasy societies in the degree to which slave descent remains stigmatised, in the extent to which they appear haunted by its history and in whether they are willing to speak of it at all. Margaret Brown (2004), and Denis Regnier and Dominique Somda (2018, Regnier 2020), make brave stabs at specifying the conditions that might explain that variation (differences in social structure, resources, ethnic mixing and migration, and according to whether the slaves were Malagasy or of African origin), while Luke Freeman (2013) writes illuminatingly about the mandatory silence on the subject of his Betsileo informants and of how that re-entrenches the stigma of slavery by making it literally unspeakable. 

Moving right across to the other side of the Indian Ocean, the legacy of slavery in Sri Lanka is dramatically different. According to Nira Wikramasinghe’s (2020) recent book, the collective memory of it has been all but entirely obliterated. True, it was never on the same scale and was abolished some decades earlier than in Madagascar, but on her analysis, on the Ceylon side, the comparison would have to include the way in which the creolization brought about by slavery seriously challenged doctrines of racial purity in the south, and the way in which the enslavement of Tamil Untouchables by high-caste Tamil Vellalars subverted later political projects of Tamil nationalism in the north. But questions of that comparative order are not part of David’s enquiry. 

The broader terrain on which he does locate his study, my final observation, concerns rather the relationship between history and the social sciences. I confess I find his pitch a bit puzzling and am hoping that somebody might help me out. What he postulates is a broad contrast between the concerns of social science, which have primarily to do with patterns of regularity and predictability, and the concerns of history which deals with the irregular and unpredictable. It’s “the record of those actions which are not simply cyclical, repetitive, or inevitable.” Anthropology should align itself with history. That seems to be above all because it is “the very concern with science, laws, and regularities that has been responsible for creating the sense of distance I have been trying so hard to efface; it is, paradoxically enough, the desire to seem objective that has been largely responsible for creating the impression that the people we study are some exotic, alien, ultimately unknowable other.” Personally, I don’t believe any of that, but what interests me more is whether you will be able to tell me whether this disciplinary opposition has resonances in David’s other work. Or is it, as I suspect, an opportunistic answer to the requirement to justify and explain the literary style he adopted in writing this book? Certainly, Debt seems to be larded with “social science”-type propositions about repetitive, predictable patterns: slavery played a key role in the rise of markets everywhere; bullion currency predominates in periods of generalised violence; coinage, slavery, markets and the state go inexorably together. . . and so it goes on. 

Jonathan Parry is Professor Emeritus in the Department of Anthropology at the LSE. He is the author of Classes of Labour: Work and Life in a Central Indian Steel Town and co-editor with Chris Hann of Industrial Labor on the Margins of Capitalism. Parry writes more broadly on the classic anthropological themes of caste, kinship, marriage, and exchange. Alongside Maurice Bloch, he has also co-edited two classic works in anthropology, Death and the Regeneration of Life and Money and the Morality of Exchange.

This text was presented at the David Graeber LSE Tribute Seminar on ‘Lost People’.

References

Brown, Margaret L. 2004. Reclaiming lost ancestors and acknowledging slave descent: insights from Madagascar. Comparative studies in society and history, 46(3), 616-645.

Freeman, Luke. 2013. Speech, silence, and slave descent in highland Madagascar. Journal of the Royal Anthropological Institute, 19(3), 600-617.

Graeber, David. 2007. Lost People: Magic and the Legacy of Slavery in Madagascar. Bloomington: Indiana University Press.

———. 2011. Debt: The First 5,000 Years. Brooklyn, NY: Melville House.

Regnier, Denis. (2020). Slavery and Essentialism in Highland Madagascar: Ethnography, History, Cognition. New York: Routledge.

Regnier, Denis, and Somda, Dominique. (2019). Slavery and post-slavery in Madagascar: An overview. In T. Falola, D., R. J. Parrott & D. Porter Sanchez (eds.), African Islands: Leading Edges of Empire and Globalization. Rochester, NY: University of Rochester Press. Pp. 345-369.

Wickramasinghe, Nira. (2020). Slave in a Palanquin. New York: Columbia University Press.

Cite as: Parry, Jonathan. 2021. “The Burdens of the Past: Comments on David Graeber’s Lost People: Magic and the Legacy of Slavery in Madagascar.” FocaalBlog, 7 December. https://www.focaalblog.com/2021/12/07/jonathan-parry-the-burdens-of-the-past-comments-on-david-graebers-lost-people-magic-and-the-legacy-of-slavery-in-madagascar/

Blog, Features, In Honour of David Graeber: Exploring the Fissures and Cracks, Lost People

David Graeber LSE Tribute Seminar: Lost People

Chair: Alpa Shah

Discussants: Jonathan Parry & Maurice Bloch

Lost People: Magic and the Legacy of Slavery in Madagascar is not David’s first published book, but it is based on his doctoral thesis and, in this sense, his first, major scholarly work. We are led in this discussion by Prof. Maurice Bloch and Prof. Jonathan Parry—two of David’s colleagues at the LSE and engaged readers of David’s work. They carry us through the complexity of David’s arguments about history and narrative and raise important questions about whether he engages deeply enough with the socio-economic realities that Malagasy people faced at the time of his research.

These conversations first took place at the LSE Research Seminar on Anthropological Theory, and are published as a FocaalBlog feature in tribute to the life and work of David Graeber.

Alpa Shah is Professor of Anthropology at LSE, convenes a research theme at the LSE International Inequalities Institute and is author of the award-winning Nightmarch: Among India’s Revolutionary Guerrillas.

Jonathan Parry is Professor Emeritus in the Department of Anthropology at the LSE. He is the author of Classes of Labour: Work and Life in a Central Indian Steel Town and co-editor with Chris Hann of Industrial Labor on the Margins of Capitalism. Parry writes more broadly on the classic anthropological themes of caste, kinship, marriage, and exchange. Alongside Maurice Bloch, he has also co-edited two classic works in anthropology, Death and the Regeneration of Life and Money and the Morality of Exchange.

Maurice Bloch is Professor Emeritus in the Department of Anthropology at the LSE. He has carried out long-term ethnographic research in Madagascar, is the author of In and Out of Each Other’s Bodies: Theories of Mind, Evolution, Truth, and the Nature of the Social, and writes more broadly on power, history, kinship, ritual, and cognition.

Blog

Vita Peacock: The slave trader, the artist, and an empty plinth

On 7th June 2020, the bronze statue of Edward Colston in the English city of Bristol was pulled down by Black Lives Matter protesters with a rope, rolled a short distance down the road, and dropped into the harbor with a gurgle. Colston was a merchant who became rich in the late seventeenth-century selling sugar, wine, oil, fruits, and most significantly, slaves from the West African coast (Morgan 1999). Although, rather dubiously, Colston left no written records, he became a member of the Royal African Company in 1680, rising to deputy governor in 1689, at a time when the chartered corporation held a monopoly over the West African slave trade, shipping captives to plantations in North America, the Caribbean, and Brazil (Pettigrew 2013). Colston’s memory has however endured in Bristol because of his local philanthropic works. Colston funded schools, hospitals, almshouses, workhouses, and other charitable causes, and even today his name is attached to a number of other toponyms across the city. The statue itself was erected in 1895 at the height of the British Empire as a tribute to these works—completely neglecting their own inhumane underpinnings.

Since the 1990s, Colston’s pivotal role in the slave trade has become more widely known, and calls had been growing to remove the statue, but without tangible effect. So when a wave of protests swept the world, in anger at the killing of African-American George Floyd by a white police officer, Black Lives Matter activists in the U.S. began upending confederate statues, and Colston fell as part of this iconoclastic surge, subsequently catalyzing it when the event was beamed across social media and made international headlines. At the time of writing, over 360 public objects across the world symbolizing racial hierarchies have now been removed, defaced, painted over, beheaded, and drowned.

Michael Taussig has reflected extensively on what happens when symbols are destroyed (1999). Public statues like the eighteen-foot figure of Colston contain a secret, a public secret—in his case the secret of African slavery that lay behind his reformist programme—that is revealed at the moment of their desecration. The power of this revelation is by its own nature temporary, but nevertheless extremely potent, releasing a ‘strange surplus of negative energy’ into the world (1999, 1), a magical shockwave whose strength is commensurate with the depth of the secret it exposes. When activist Jen Reid stood on top of the empty plinth later that day, spontaneously raising her arm in the Black Power salute, ‘It was like an electrical charge of power running through me’, she remembers. As news of the toppling continued to spread, the plinth stood there, pulsing, while a feverish debate developed over what should replace it.


The empty plinth where Colston stood is embroidered with Black Lives Matter placards (Caitlin Hobbs / 7th June 2020, https://commons.wikimedia.org/wiki/File:Edward_Colston_-_empty_pedestal.jpg)

I have been an admirer of the artist Marc Quinn since I was twelve years old. That year, 1997, I was tugged along to the epoch-defining Sensation exhibition at London’s Royal Academy. Quinn’s contribution was present alongside other so-called Young British Artists, or YBAs, a new generation of creators working under the influence of postmodernism who sought to redefine what we thought of as art. The sight of his head made entirely out of his own blood is still imprinted on my mind, an object which somehow managed to capture both the intense throb of life, at the same time as being a death-mask, a memento mori. Some years later, when I was twenty, I made sure to catch Alison Lapper Pregnant on the Fourth Plinth in Trafalgar Square, the sumptuous marble form of a woman in the bloom of biological reproduction alongside a severe disability.

At 4.30am on the 15th July 2020, in the space of barely fifteen minutes, Quinn, together with Jen Reid, a Guardian journalist, and a team of crane operatives, again placed himself at the forefront of my consciousness when he installed a life-sized resin statue of Reid giving her salute on top of Colston’s empty plinth, alongside a statement on his website. But this artwork raised questions in a way that the others did not.

The statement announces that it was a ‘joint’ undertaking by Quinn and his model Reid, an act of co-creation. Their aims are stated using the collective ‘we’ and Quinn stresses that he and Reid wanted to do the installation ‘together’. In a fuller interview with the Guardian, Quinn even attempts to efface his own role entirely, when he claims that ‘Jen created the sculpture when she stood on the plinth and raised her arm in the air’. But this vision of equality is a smokescreen, and a dangerous one at that. Reid did not create the sculpture when she raised her arm on the plinth, she was experiencing life as a subject, not an object, sensing the energic power of defacement. Quinn created the sculpture with a team of craftsmen. He is a white, 56-year old man, educated at a private boarding school and later at Cambridge University, with a distinguished legacy as an artist behind him. This kind of positionality does not prevent him from being the effective ‘white ally’ that the statement claims to strive for, but true allyship cannot arise when vast differences of institutional privilege are altogether erased. He announces modestly that the sculpture is ‘an embodiment and amplification of Jen’s ideas and experiences’, and yet, after trawling newspaper articles about the installation, I remain unable to answer the most basic question of Reid’s daily occupation.

Still, the most egregious part of the statement comes when Quinn asserts that the motive for the sculpture was ‘keeping the issue of Black people’s lives and experiences in the public eye’. This is at best a delusion and at worst a deception. This issue was at the very center of the public’s dilated pupils as it watched the satisfying swivel of Colston’s tumble on repeat, something which had little to do with Quinn, and everything to do with the physical, social, and legal risks taken by activists on the ground. The terrible genius of Quinn’s move was that he won either way. Either Bristol City Council opted to retain the sculpture, in which case his work would be permanently occupying what is at present the most famous plinth in Britain, or they opted to remove it, by which point the exposure achieved through the guerilla act will have inflated its capital value beyond anything that could have been achieved through more conventional means.

Of course, this was what the YBAs were known for. Tracy Emin’s soiled bed at the same Sensation exhibition in 1997 was as much a confidence trick about whether such an object could command a re-sale value as anything else. And its apotheosis came when Damien Hirst attempted to vend a diamond-encrusted skull for £50 million, a brazen (and by some accounts unsuccessful) experiment in wealth creation. Even if, as Quinn says, the money made when A Surge of Power (Jen Reid) is eventually sold will be given directly to the causes of people in Britain of African descent, the value is not his to give. Just that philanthropic gesture echoes the uncomfortable paradoxes of Colston himself, who made his wealth in an economy of exploitation only to munificently re-gift it.

‘No formal consent has been sought for the installation’, the statement says calmly. Herein lies the most problematic aspect of the work. At the risk of simplifying a complex and multivalent phenomenon (cf. Patterson 1980), we might think of non-consent as the very epicenter of the slave relation. To be compelled into a condition when the only alternative is violence or death is the antithesis of consent as we would understand it. Enlightenment thinkers invented various moral contortions to get around this brute truth, John Locke famously arguing that as captives in a just war, the slave gave his or her consent in exchange for their life, but these can now be comprehensively dismissed. To engage in such an openly nonconsensual way with a value created by Black people, both now and historically, at a time when a genuine public discussion around slavery in Britain had just opened up, was deplorable. It need not be said that if a Black artist, or someone with less gilded credentials, had engaged in this kind of illegal action, they may not have received the same general fanfare, and may even have been criminally prosecuted.

Within just twenty-four hours the artwork was removed. Bristol has been governed, since 2016, by the first ever person of African descent to be elected to the mayoralty of a major European city, Marvin Rees, whose father is Afro-Jamaican and mother is white British. Rees set the tone within hours of the installation with a public statement, ‘There is an African proverb that says if you want to go fast, go alone, if you want to go far, go together. Our challenge is to take this city far’. Quinn’s unsolicited gift, which may now be worth hundreds of thousands of pounds, was quietly, but firmly, rejected by Bristol City Council. This was no minor financial decision for an entity working under the pressure of a decade of austerity and the devastations of Covid-19. The profound dignity of this gesture was what Audra Simpson might call a ‘refusal’ (2014), a negation of one world for the purpose of affirming another. It was a refusal in this case to play the game of appropriation, the seizure of value. It gave hope for the future.

Vita Peacock is an anthropologist and Humboldt Fellow affiliated with LMU Munich and the Humboldt University. She is currently finalizing a manuscript based on her ethnography of the Anonymous movement, Digital Initiation Rites: The Arc of Anonymous in Britain.

References

Morgan, Kenneth. 1999. Edward Colston and Bristol. Bristol: Bristol Branch of the Historical Association.

Patterson, Orlando. 1982. Slavery and Social Death: A Comparative Study. Cambridge, [Mass.] ; London: Harvard University Press.

Pettigrew, William. A. 2013. Freedom’s Debt: The Royal African Company and the Politics of the Atlantic Slave Trade, 1672-1752. Chapel Hill: The University of North Carolina Press.

Simpson, Audra. 2014. Mohawk Interruptus: Political Life Across the Borders of Settler States. Durham: Duke University Press.

Taussig, Michael T. 1999. Defacement: Public Secrecy and the Labor of the Negative. Stanford, CA: Stanford University Press.

Cite as: Peacock, Vita. 2020. “The slave trader, the artist, and an empty plinth.” FocaalBlog, 29 July. www.focaalblog.com/2020/07/29/vita-peacock-the-slave-trader-the-artist-and-an-empty-plinth/

Blog

Don Nonini: Black Enslavement and Agro-industrial Capital

Don Nonini, University of North Carolina at Chapel Hill

Insa Koch’s recent (2020) FOCAAL blog, “The Making of Modern Slavery in Austerity Britain,” reminds us that enslavement and the bodies of black people are profoundly interconnected, and the link to challenges to “the punitive turn” and police abuse in the UK by the Black Lives Matter movement protests are all but explicit in her piece. At the same time, other recent FOCAAL blogs have dealt with the connections between the Covid-19 pandemic and contemporary global capitalism.

Black enslavement and Covid-19 are intimately intertwined. The insurgency of Black Lives Matter during the months of May-June 2020 has its own dynamics. That said, the wide turning out of protests supporting Black Lives Matter in the streets of European cities and towns (London, Paris, Berlin, Stockholm, Amsterdam, Antwerp, Brussels, Milan, Kraków, Dublin, Manchester, Munich…) demonstrates that the European left has strongly shown its ongoing antiracist solidarity with African-American struggles, seeking to come to terms with Europe’s own troubled imperial history of enslavements, and challenging its current neo-nationalist or fascist resurgence under declining neoliberal capitalism (Kalb 2020).

The links between black enslavement and Covid-19 start – and continue with – the formation of agro-industrial capitalism and its relations to transnational finance capital.

The Lash, Degraded Ecologies, Finance

There is a clear relationship between the emergence of modern enslavement and the history of a full-blown agro-industrial capitalism. The close connections between fully rationalized capitalist agrarian production, finance, and slavery are only recently becoming clear.

New research on the North American southern plantation economies shows just how advanced rationalized capitalist production was under the conditions of slavery (Baptist 2014). Beyond its monocropping ecology, “many of agribusinesses’ key innovations, in both technology and organization, originated in slavery” (Wallace 2016: 261). Slaveholders measured land only against the capacity of slave labor to transform it, setting the cotton production line in terms of “bales per hand,” with enslaved African men being “hands,” nursing mothers “half hands” and children “quarter hands.” The labor process of picking cotton was measured and held to a standard by another unit of measurement – the “lash.”

“Enslavers used measurement to calibrate torture in order to force cotton pickers to increase their own productivity and thus push through the picking bottleneck” (Baptist 2014: 130). As Baptist further points out, “on the nineteenth century cotton frontier… enslavers extracted more production from each enslaved person every year. . . the business end of the new cotton technology was a whip” (2014: 112). Planters managed a refined rationality based on the application of the whip measured out in lashes to the backs of a slave calculated relative to their infraction – how many pounds of cotton his basket fell short of making a bale, whether or not there were impurities in it, whether one slave helped another pick her quota – in which case the former received extra lashes. Under the circumstances, the rationality of increased “labor productivity” so vaunted by economists depended straightforwardly on graduated torture – with little contribution (the cotton gin aside) from “technological innovation.”

The Indian Removal Act of 1830 culminated the violent displacement of Indian nations from the Mississippi Gulf region and transformation of their territories into “new lands” of thousands of acres ready for slave-based production (Baptist 2014: 228-229). Cotton monoculture quickly exhausted the rich soils of the South, exposed the crops to rust, rot, and worms, while plowing rows of cotton aligned to the day’s sunlight to maximize yield eroded the land and exhausted aquifers within 10 to 15 years after clearing (Wallace 2016: 266).

Due to the lack of food self-sufficiency and the seasonality of cotton harvests, indebtedness by plantation owners to Northern financiers and cotton brokers became increasingly common. By the 1830s, the cotton plantations of Mississippi, Alabama and Eastern Louisiana had adopted new forms of finance and indebtedness, when the Consolidated Association of Planters of Louisiana was established to allow their member planters to mortgage their slaves as collateral for loans from international financiers, led by the Baring Brothers and the Bank of England, that pooled investments from Europe’s finest old and new upper classes to buy the lucrative bonds issued by the Association (Baptist 2014: 245-8).

Monocropping of plants and animals, the simplification and degradation of local and regional ecologies, rapid expansion of logistics over space, reliance on finance capital for loans to expand production, and the use of enslaved degraded labor – these design features of agro-industrial capitalism have remained in effect to the present.

Meat Markets, Neo-Slave Markets

The coerced use of black labor continued after the Civil War in the cotton sharecropping economy until its decline in the 1930s. At the same time, the new agro-industrial complex of livestock production in the U.S. South – again based on the hyper-exploitation of black labor – got underway. By the 1970s, the livestock industries of intensive hog, poultry, and beef production had become thoroughly institutionalized – through vertical integration (Heffernan and Constance 1994; Stiffler 2005), increases in slaughterhouse assembly-line tempos, and incorporation of meat eating as a universal practice within the diets of the U.S. population (Schlosser 2001, 2012; Stiffler 2005). Since the 1990s the meat industries have globalized to penetrate the BRICS economies, a process facilitated by the lubrication of capital provided by hedge funds and investment banks, such as Goldman Sachs’ deal-making in the sale of Smithfield Foods to Shuanghui in China (Wallace 2016: 269-271).

Subjugated and coerced black labor has anchored and offered up surplus value through U.S. agro-industrial cotton and meat production since the end of legal slavery. Since the 1960s, rural poor African-Americans, especially women, have worked in the meat processing plants of the Midwest, Mississippi delta and Carolinas regions experiencing intensified exploitation, sexual harassment and brutalized and unsafe working conditions. By the 1990s, they were joined by immigrant Mexican and Central American workers (Nonini 2003; Stiffler 2005; Stuesse 2016), with whom white plant managers sought to set them in competition.

The Great Migration of 6 million African-Americans from 1915-1970 from the South to cities in the northern and midwestern U.S. was a form of flight from re-legalized enslavement at the hands of Jim Crow whites. Migration to the Midwest and Northeast placed large numbers of blacks at the factory doors of the Fordist industries of the North. Relegated to secondary labor markets by discrimination from white industrial labor unions during the 1950s-1970s (Cowie 2010: 236-244), black industrial workers by the 1990s, like their white counterparts, were thrown out of work by the globalization of industrial production. The only exceptions were the neo-slavery of hyper-sweated meat processing and related industrial food labor.

“Broken Windows Policing” and the Expropriation of Black Lives

The grown children and grandchildren of these laid-off black industrial workers, with more recent Latinx immigrant workers, now form both the hyper-exploited workers in the food industries (meat processing, fast foods, farm work) and situated in the cities and small towns of the South, Midwest and the Northeast, and those who are chronically unemployed and underemployed, doubly discriminated against due to their poverty (forcing them to leave school before high school graduation), and their race. Those African-Americans who have more or less steady employment also show disproportionate levels of consumer debt – from credit cards, student loans, and medically -related debt. Whether steadily employed or not, a key insight is that by and large both groups draw on the same population of urban African-Americans.

The population of urban African-Americans has the profound misfortune of living in cities recurrently subject to gentrification at the new “urban scale” of globalized real estate and finance-rentier capital (Smith 2008: 239-266). Their residence in spaces made newly desirable by gentrification by the 2000s is the obverse of the fact that up to the 1990s whites fled inner cities in large numbers for segregated suburbs, while African-Americans found themselves only able to afford to live, and only allowed to live within, housing in these redlined inner-city districts.

By the 2000s, however, real estate in these districts had become “hot properties” for global finance capital seeking new sites for safe but extraordinarily profitable rent collection and property speculation in realizing value. This trend by the 1990s was both shaped by and reinforced through the “broken window policing” that targeted unemployed and underemployed African-Americans and Latinx populations (Camp et al. 2016).

What precisely is the role of broken windows policing in the gentrification process? Put non-too-subtly, even one broken window indicates the existence of a “criminal” – an undesirable element in a neighborhood. The role of such policing is the physical removal to jails or prison, or, if that is impossible, the destruction of African-Americans whose very presence threatens the “real estate values” that the finance industry and its local allies hold dear. This goes far to explain the more than 1000 people killed by local police every year in the US, of whom more than one fourth are African-American; the one third of African-American men between ages 19-35 who are “justice involved” – in jail awaiting trial, on bail, undergoing trial, in prison, on probation or parole; and their disproportionate representation in the US’s incarcerated population, the largest per capita in the world.

Nancy Fraser (2016) observes that there is an historical dialectic between the conditions that set out “normal” exploitation of the working force, and the conditions of expropriation of the lives, labor, and property of racialized and vulnerable (e.g. immigrant) populations — as two complementary means through which the accumulation of capital can and does take place under capitalism. Fraser argues that that the new being of neoliberal global capitalism is “the expropriable-and-exploitable citizen-worker,” and that “the racialized subjection of those whom capital expropriates is a condition of possibility for the freedom of those whom it exploits” (Fraser 2016:163).

A group of people holding a sign Description automatically generated
Image 1: Black Lives Matters Protests in Durham, U.S. (Credit: Durham Workers Assembly Durham, North Carolina, with kind permission) 

We can see these two modes of appropriation of surplus value in the tense interconnections between whites and the African-American population in the United States through the latter’s vexed history with respect to agro-industrial and finance capitalism. These interconnections are potentially the point of class differentiation between the increasingly precarious white “middle class” and urban African-Americans, who straddle a black employed working-class subjected to intensified exploitation on one hand, and a lumpen-proletariat subjected to police-impelled expropriation and dispossession, on the other. 

Ongoing criminalization and the indebtedness of black people (the latter a tool of finance capital’s domination) are the instruments driving large numbers of urban black workers disproportionately employed in the agro-industrial food sector toward the toxic mix of indebtedness, unemployment (where employers often refuse to hire blacks holding consumer debt), bankruptcy, evictions from shelter, police “stop and frisk” harassment, enforced fines and fees levied (via police and private firms working for straitened municipalities),  assault, imprisonment, and death (Wang 2018:99-192).  

Don Nonini is Professor of Anthropology at University of North Carolina at Chapel Hill. His most recent books are “Getting by”: Class and State Formation among Chinese in Malaysia (Cornell, 2015), and The Tumultuous Politics of Scale: Unsettled States, Migrants, Movements in Flux, co-edited (Routledge, 2020). His most recent publication in FOCAAL is “Theorizing the Urban Housing Commons” (2017). 

References 

Baptist, E. E. (2014). The half has never been told : slavery and the making of American capitalism. 

Camp, J. T. and C. Heatherton (2016). Policing the planet : why the policing crisis led to black lives matter. 

Cowie, J. (2010). Stayin’ alive : the 1970s and the last days of the working class. New York, New Press : Distributed by Perseus Distribution. 

Fraser, N. (2016). “Expropriation and exploitation in racialized capitalism: A reply to Michael Dawson.” Critical Historical Studies 3(1): 163-178. 

Harvey, D. (2018). Marx, Capital and the Madness of Economic Reason. New York, Oxford University Press. 

Heffernan, W. and D. H. Constance (1994). Transnational corporations and the globalization of the food system. From Columbus to ConAgra: The Globalization of Agriculture and Food. A. Bonanno, L. Busch and e. al. Lawrence, KA, University Press of Kansas Press: 29-51. 

Kalb, D. 2020. “Covid, Crisis, and the Coming Contestations”, FocaalBlog, June 1st, http://www.focaalblog.com/2020/06/01/don-kalb-covid-crisis-and-the-coming-contestations/.

Nonini, D. M. (2003). American neoliberalism, ‘globalization,’ and violence: Reflections from the United States and Southeast Asia. Globalization, The State, and Violence. J. Friedman. Walnut Creek, CA, Altamira Press (Rowman & Littlefield): 163-202. 

Schlosser, E. ((2001), 2012). Fast food nation : the dark side of the all-American meal, with a New Afterword. Boston, MA, Mariner books (Houghton Mifflin Harcourt). 

Smith, N. and D. Harvey (2008). Uneven development: nature, capital, and the production of space. Athens, University of Georgia Press. 

Striffler, S. (2005). Chicken : the dangerous transformation of America’s favorite food. New Haven, Yale University Press. 

Stuesse, A. Scratching out a living : Latinos, race, and work in the Deep South. 

Wallace, R. (2016). Big Farms Make Big Flue: Dispatches on infectious disease, agribusiness, and the nature of science. New York, Monthly Review Press. 

Wang, J. (2018). Carceral capitalism.  Semiotext(e) Interventions, 21. South Pasadena, CA: Semiotext(e).

Cite as: Nonini, Don. 2020. “Black Enslavement and Agro-industrial Capital.” FocaalBlog, 3 July. http://www.focaalblog.com/2020/07/03/don-nonini-black-enslavement-and-agro-industrial-capital/

Features, Music & Capitalism

Joseph Trapido: Music, ritual, and capitalism in west central African history

1 Comment

There was a strong relationship between music and political-economic power in the precolonial Congo basin. This was because music was an integral part of a ritual nexus that dominated social life. Those who controlled the ritual nexus became rich and powerful, and controlled trade between locals and an expanding capitalism (MacGaffey 2000). Here I will show how music was important to this interface.
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